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Studio craft
Studio craft is the practice of craft methodology in an artist's studio. Traditional craft tends to generate craft objects out of necessity or for ceremonial use while studio craft produces craft objects at the whim of the maker or intended owner. These objects are at most only ''desirable'' for use and often lack any utility. Because studio craft doesn't make objects out of necessity, it is similar to works of studio art which are made for aesthetic rather than functional purposes.
Because of their diminished reliance on making objects for functionality, the studio craft object becomes more viable for the kind of aesthetic critical theory which occurs in fine art theory.
== Craft theory ==
Though studio craft works do seem to have some of the necessary conditions required for injection into critical art discourse, simplifying craft theory as synonymous with art theory strikes some crafts theorists as problematic. Glenn Adamson argues that the interesting thing about Craft is that it ''is'' perceived to be 'inferior' to art. In his book ''Thinking Through Craft'' Adamson presents an overview of this question by presenting five aspects of this supposed second-class identity: supplementarity, sensuality, skill, the pastoral, and the amateur 〔Adamson, Glenn ''Thinking through craft''. Oxford, New York: Berg 2007.〕 Contrary to the implied second-class status of these themes, Adamson suggests that these are in fact the things that make craft significant and unique.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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